Okay - now it's a fact: I'm one of thoose people who must have every kind of pencils that are produced on this planet. But I fear I also would buy a set of "Moon-Made-CPs" or "CPs dine by little green people from Mars".
However - my new set is the full set ofSupracolor II Soft
and I have to confess: BEST EVER!
I never thought that I would say that but there are pencils that are better than Prismas. At least in my eyes. (Ouch! I better say in my hands.) Now let me say a bit about them.
First the facts:
o Supracolor are made by Caran d'Ache, a producer in Switzerland.
o They come in a range of 120 colours.
o They are watersoluble.
o They are wax- and oilless (this word looks strange, or not?) so they have no wax-bloom or glossy shine.
o They have the same color chart as their "siblings" Pablo, the oil or waxbased CPs made by Caran d'Ache
The lightfastness is very good:
# - 7 of 120 pencils have one star = good lightfastnes
# - 66 of 120 have two stars = very good
# - 47 of 120 pencils are rated with three stars = excellent!
They are wonderful soft and easy to layer. If I want to solve I simply can use water instead of Zest-It (although I love it) and the colors are wonderful - dry AND wet.
This is for example a huge differerence to the inktense pencils. Inktense only show their real colour and beauty after applying water - these watercolour pencils are also dry beautiful.
I'm doing a still-life on two different surfaces - Clairefontaine pastelmat (sienna) and Bristol Board (ATC size) - because I want to know how these pencils behave on the different mediums. The feeling on both is wonderful and I can layer and layer. On the bristol board I use the pencils dry and on the Clairefontaine I added water. (Great surface btw for dry AND wet! I will talk about it another day.)
This is what I have so far:
When finished I'll post also the colour chart which I am going to make on Stonehenge paper.
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